My Process
I begin with cardboard maquettes, cutting and drawing directly into them. Shapes evolve throughout the year, building a historic visual library that I number and document. Often these shapes transform slightly and reappear across many sculptures. When I’ve identified a shape to scale, I transfer it to steel. Mini works use 16-gauge; most medium pieces are 1/8-inch mild steel; large works range from 3/8-inch and up.
I draw the shape on the material and rough-cut it with a handheld plasma cutter. Then I grind and sand through several progressive grits to refine the form. After welding the pieces together, I work on kinetic elements—often trying multiple versions before committing to the final version.
I stamp and date each sculpture before painting. The work is then titled and documented.
Each year, I book a handful of commissions based on my recent work for private Institutions + collections, Hospitality Industry, Architects, Landscape Designers, Art Consultancies and Public Art Agencies. Check this page for availability.
Larger works and commissioned works are made for placements in gardens, public spaces and the wild outdoors.
Smaller works typically don’t require special installations. Works can be placed on coffee tables, pedestals, book shelves, credenzas, side tables and anywhere you want to enjoy them.
Larger works are prepared with a footing that is mounted to a sturdy base, concrete pad or flat surface. For placements in open landscapes, a special footing will be discussed. The weight and other dimensions of each large scale sculpture is discussed prior to delivery.